The Dismemberment Plan – Tickets – Rams Head Live – Baltimore, MD – October 5th, 2012

The Dismemberment Plan

Rams Head and IMP present

The Dismemberment Plan

mewithoutYou, E.D. Sedgwick

Friday, October 5th, 2012

Doors: 8:00 pm / Show: 9:00 pm

$25.00

The Dismemberment Plan
The Dismemberment Plan
The Dismemberment Plan started on January 1, 1993. The initial lineup was Eric Axelson, Jason Caddell, Steve Cummings, and Travis Morrison. After recording their first album, in 1995, Joe Easley replaced Steve Cummings. That cemented the band's lineup for the rest of its existence. The last show was September 1, 2003, at the 9:30 Club in Washington, D.C.

The band recorded four albums. Three were recorded for DeSoto Records and were released by the same. Emergency & I was recorded for Interscope Records but came out on DeSoto.

The band toured Japan three times, Europe twice, and most of North America over and over again. It was based in, and very much a natural result of, Washington, D.C.
mewithoutYou
mewithoutYou
mewithoutYou returns with their 5th studio album Ten Stories, set for release May 15, 2012. A deluxe vinyl edition will be available as well. Helmed by producer and friend of the band Daniel Smith (Sufjan Stevens) and mixed by Brad Wood, Ten Stories is an allegorical collection of songs that, at first listen, follows a winding narrative about a circus train crash in 19th century Montana. But long-time fans of this band know that although we are immediately introduced to a talking elephant, fox and tiger, there is always more than meets the eye.
mewithoutYou – frontman Aaron Weiss, guitarist Michael Weiss, bassist Greg Jehanian and drummer Rickie Mazzotta – will be previewing the new songs during a run of select live shows in early March, beginning March 3rd in Baltimore at Metro Gallery. A U.S. Spring tour will be announced in the coming weeks.

Ten years into their life together as a band, mewithoutYou are still searching, and they still compel us to join them in their search. Well-loved for their introspective and eccentric ruminations on life, love, loss, spirituality and temptation, Ten Stories is the result of a lot of living and a lot of death. After experiencing the joy of a newborn baby in the Weiss family in early 2010, it wasn't too long before several deaths of relatives and friends shook the band to its core. They spent some time apart to live their lives, but it is their deep friendships that always bring them back together again.

Reflecting on their history together, drummer Rickie Mazzotta says, "Think about everything that happens in the course of a decade – death, taxes, scholastics, break-ups, birth, illness, World Series Championships, foggy memories, whack decisions, the loss of innocence, the highest highs and the lowest lows. We've been through a lot together. When we came together to make Ten Stories, it was spawned out of being apart for a while, home with friends and lovers, pursuing other interests and naturally gravitating back towards one another in space and sound."

This natural reunion led to the band beginning work on Ten Stories with a relaxed approach, leisurely enjoying the summer sun and leaving behind any pre-conceived ideas of what kind of songs they wanted to make. The result is an incredibly expansive album, encompassing where the band has been and where they are going. mewithoutYou's last album, 2009's It's All Crazy! It's All False! It's All a Dream! It's Alright!, was a marked departure into the world of folk and written around an acoustic guitar, Ten Stories adds the band's raucous vocals and hard-hitting instrumentation back into the mix. Still present are their melodic overtones and lush orchestration of more recent years, making for a riveting musical journey at the album's every turn.

Through the fable-like interactions of fictitious animals, Ten Stories offers up deep ponderings and keen observations about human character flaws and the circle of life. As the band further explores their signature themes of romantic disaster and quasi-mystical speculation, a naive rabbit falls for a footloose fortune teller and a monastic walrus for a hedonistic owl. A pretentious Fox has a prophetic dream, a starving Bear has a vision of a martyred saint and an indecisive Peacock and gnostic Tiger learn the virtues of megalomania from an ego-annihilated Potter Wasp. From the urgent suspense of album opener "February 1878," to the sweeping drum patterns and gritty vocals of "Grist for the Malady Mill," to the psychedelic gem "Aubergine" to the special guest artist on "Fox's Dream of the Log Flume," it's clear that Ten Stories is one of mewithoutYou's most dynamic albums to date.
E.D. Sedgwick
E.D. Sedgwick
Through 12 years, three record labels, over a dozen band members, one epilepsy diagnosis, and one filthy dress. E.D. Sedgwick has seen it all. It wasn't pretty.

"'Love Gets Lovelier Every Day' is the 'Smile' of Washington, D.C.drag-punk rock," says Sedgwick, a.k.a. Justin Moyer, the El Guapo/Supersystem bassist who started performing under his nom de plume in 1999. "Everything conspired against this record. A collapsing record industry. Bandmates moving out of town. A couple of grand-mal seizures. Getting evicted from my studio, which was torn down by the city to build -- wait for it -- another studio. My decision to stop performing in a dress. The discovery of a 13th astrological sign, which means I'm no longer a Pisces, but an Aries (a fucking Aries!).

"The only thing 'Love Gets Lovelier Every Day' has going for it is really good songs, and a really good band to play them."

Recorded in 2009 but caught up in record label, personnel, and personal drama until now, "LGLED" is a poignant memoir of a bad season -- and, with a long slate of featured performers, a departure for an reformed electroclash artist who used to make records alone in his bedroom. Dance-y ragers like "Everybody Wants Some" (featuring Chad Molter and Mark Cisneros of Medications on, respectively, bass and sax) appear alongside "He Composed Lines That Frighten Stanzas," a Pixies-ish rocker co-written by ex-Supersystem guitarist turned Rafael Cohen. And there is the titular, 12-plus minute pseudo-psychedelic medley equally inspired by John Coltrane's "A Love Supreme" and the B-side of the Beatles' "Abbey Road." But nowhere is Sedgwick's unlikely evolution more on display than in "Silver Bullets," the record's first single.

"'Silver Bullets' is about survival," Sedgwick says of the raucous, four-on-the-floor banger that name-checks Henry Rollins and Chris Cornell. "In the dark days of October 2009, I was moping in my soon-to-be-torn down studio when I started playing this reggaeton-ish two-note bassline. Then, I started writing lyrics from the perspective of a lead-singer Superman archetype. Like: 'I'm not a werewolf -- silver bullets can't kill me.' Like: 'I'm better than Bono. Bono can't kill me.' When the song was finished, I felt better. I was like, 'I'm gonna get through this.'"

"Love Gets Lovelier Every Day," will be released by Dischord in August 2011. Sedgwick's new band -- longtime collaborator Jess Matthews on drums, go-go refugee Carla Elliott on second vocals, Kristina Buddenhagen on bass, and E.D. on guitar -- will play select East Coast dates before heading to Europe in October.

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